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You've selected:
Little Dutch Dance
Sheetmusic to print
6 sheet music found
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1
Little Dutch Dance
Guitar
Guitar - easy - Digital Download SKU: S9.Q44818 From: H. Neusiedler, The First B…
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Guitar - easy - Digital Download SKU: S9.Q44818 From: H. Neusiedler, The First Book 1544. Composed by Hans Neusidler. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44818. Published by Schott Music - Digital (S9.Q44818). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.79 €
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Guitar
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Hans Neusidler
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Little Dutch Dance
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Schott Music - Digital
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SheetMusicPlus
Ein Niderlendisch Tentzlein [excerpt] by Hans Neusiedler - Guitar Solo
Guitar
Hans Neusiedler - Ein Niderlendisch Tentzlein [excerpt] - Little Dutch Dance Digital Sheet…
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Hans Neusiedler - Ein Niderlendisch Tentzlein [excerpt] - Little Dutch Dance Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Renaissance~~Classical
$2.49
2.32 €
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Guitar
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Guitar Solo
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Musicnotes
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.73 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Stabat Mater
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhouwer #786752. Published by Annemieke Lustenhouwer (A0.1187117). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.Conductors score with parts for the string players.
$19.00
17.73 €
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Choral SATB
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Annemieke Lustenhouwer
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Stabat Mater
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Annemieke Lustenhouwer
#
SheetMusicPlus
In The Shadows
Orchestra
Full Orchestra - Digital Download SKU: A0.481449 Composed by Herman Finck. Arranged…
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Full Orchestra - Digital Download SKU: A0.481449 Composed by Herman Finck. Arranged by Kevin Riley. 20th Century,Broadway,Musical/Show. Score and parts. 82 pages. Published by Kevin Riley (A0.481449). Herman Finck (1872–1939) was born in London as Herman von de Vinck, the son of an immigrant Dutch musician. For over twenty years he conducted the orchestra at the Palace Theatre of Varieties, and he was musical director at the Theatre Royal, Drury Lane, in the 1920s during the heyday of big musical successes such as Rose Marie and Show Boat. He composed a great deal of music for musical plays and revues, as well as short orchestral pieces. It was for a skipping-rope routine for the Palace Theatre’s troupe of John Tiller dancers that Finck composed the graceful little In the Shadows (1910), which went on to enjoy international success.
$50.00
46.65 €
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Orchestra
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Herman Finck
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In The Shadows
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Kevin Riley
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SheetMusicPlus
Oh! Jakey. Jakey! How I Love Dot Deitcher Boy
Piano, Voice
Piano and voice - Digital Download SKU: LV.4415 Composed by Charles T. Ellis. Arran…
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Piano and voice - Digital Download SKU: LV.4415 Composed by Charles T. Ellis. Arranged by J.H.W. Portraits, Couples, Soldiers, Daggers & swords, National Emblems, Courtship, Dialects, Ethnic stereotypes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4415). The German Team, Watson and Ellis. Original Dutch Songs and Dances. No. 1. Oh! Jakey. Jakey! How I Love Dot Deitcher Boy. Chas. T. Ellis. Arr. by J.H.W. Published 1878 by Louis P. Goullaud, 86 Tremont St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Soldiers, Daggers & swords, National Emblems, Courtship, Dialects, Ethnic stereotypes. First line reads I'm in love mit a charming little deitcher boy.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano, Voice
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Charles T
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Oh! Jakey. Jakey! How I Love Dot Deitcher Boy
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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